Starting from the fairytale il-Germudija, the Maltese Cinderella, once told by Marija of Xewkija to Veronica Veen, will be endeavoured to create your own, individual fairytale. This can go deeper than you would think. Besides, we should not forget that fairytales are a specific literary genre with its own background, demands, and layered symbolism. This workshop will be held on the occasion and and at the venue of the exhibition The Maltese Cinderella and her Sisters, based on Veronica’s groundbreaking and award-winning book “The Maltese Cinderella and the women’s storytelling tradition.” Completely different from the classical Cinderellas, this superb Gozitan variant features a heroine who is a self-conscious and energetic maid, who knowns without the usual ‘helping animals’ or godmother/fairy to ‘conquer’ the heart of a somewhat timid son of the rich household, so not a King or Prince. The story, with its independent and wise heroine-against-all-odds, still conveys a clear message for women today.  

Starting from the fairytale il-Germudija, the Maltese Cinderella, once told by Marija of Xewkija to Veronica Veen, will be endeavoured to create your own, individual fairytale. This can go deeper than you would think. Besides, we should not forget that fairytales are a specific literary genre with its own background, demands, and layered symbolism. This workshop will be held on the occasion and and at the venue of the exhibition The Maltese Cinderella and her Sisters, based on Veronica’s groundbreaking and award-winning book “The Maltese Cinderella and the women’s storytelling tradition.” Completely different from the classical Cinderellas, this superb Gozitan variant features a heroine who is a self-conscious and energetic maid, who knowns without the usual ‘helping animals’ or godmother/fairy to ‘conquer’ the heart of a somewhat timid son of the rich household, so not a King or Prince. The story, with its independent and wise heroine-against-all-odds, still conveys a clear message for women today.  

The Gozo Football League 2nd Division stands as the top tier of domestic football in Gozo and is one of the island’s most prestigious and eagerly followed competitions. Organised by the Gozo Football Association (GFA), this league represents the pinnacle of footballing excellence in the region, showcasing the highest level of talent, competition, and passion within the Gozitan football community. What sets the Gozo Football League 2nd Division apart is its rich tradition and the high level of community engagement it fosters. Matches regularly attract passionate local supporters, creating an electric atmosphere in stadiums across the island. For many, the league is more than just football—it is a symbol of local pride, identity, and sporting spirit.

The Gozo Football League 2nd Division stands as the top tier of domestic football in Gozo and is one of the island’s most prestigious and eagerly followed competitions. Organised by the Gozo Football Association (GFA), this league represents the pinnacle of footballing excellence in the region, showcasing the highest level of talent, competition, and passion within the Gozitan football community. What sets the Gozo Football League 2nd Division apart is its rich tradition and the high level of community engagement it fosters. Matches regularly attract passionate local supporters, creating an electric atmosphere in stadiums across the island. For many, the league is more than just football—it is a symbol of local pride, identity, and sporting spirit.

Starting from the fairytale il-Germudija, the Maltese Cinderella, once told by Marija of Xewkija to Veronica Veen, will be endeavoured to create your own, individual fairytale. This can go deeper than you would think. Besides, we should not forget that fairytales are a specific literary genre with its own background, demands, and layered symbolism. This workshop will be held on the occasion and and at the venue of the exhibition The Maltese Cinderella and her Sisters, based on Veronica’s groundbreaking and award-winning book “The Maltese Cinderella and the women’s storytelling tradition.” Completely different from the classical Cinderellas, this superb Gozitan variant features a heroine who is a self-conscious and energetic maid, who knowns without the usual ‘helping animals’ or godmother/fairy to ‘conquer’ the heart of a somewhat timid son of the rich household, so not a King or Prince. The story, with its independent and wise heroine-against-all-odds, still conveys a clear message for women today.